Sarah James, The Individual and the Organisation: Artist
Placement Group 1966–79, Frieze 30 Mars
2013
Agnes Denes, Wheatfield, 1982 New York & 2015
Milano
The Harrisons, Survival
Piece, 1970-72
Littoral Arts
Trust, Hyper-rural the end of urbanism? Symposium,
2018, Manchester School of Architecture
Whitechapel Gallery, The Rural
Assembly: Contemporary Art and Spaces of Connection (June 2019)
RSA, God’s Lone Country, 12
minutes film, 2019
Littoral Arts Trust, The New Creative Rural Economies
report, 2018
Rachel Carson, Silent Spring,1962
Tomás Saraceno, The Cosmic Dust
Spider Web Orchestra, 2017
Michael Bravo, North
Pole, 2019
Robert MacFarlane, Landmarks, 2015
Brandon LaBelle, Sonic Agency,
sound and emergent forms of resistance, 2018
Nicholas Mirzoeff, How to see
the world, 2015
Anna Tsing, The Mushroom at the
End of the World, on the possibility of life in capitalist ruins, 2015
Sophia Meeres, Pieter Versteegh, alter-rurality,
exploring representations and ‘repeasantation’, 2014
Myvillages, The
Rural, 2019
Virginie
Maris, La part sauvage du monde, penser la nature dans
l’Anthropocene, 2018
Jean-Michel
Valantin, Géopolitique d'une planète déréglée, 2017
Philippe
Bihouix, L'Âge des Low Tech, vers une civilisation techniquement
soutenable, 2014
Donna J. Haraway, Staying with
the Trouble: Making Kin in the Chthulucen, Experimental Futures, 2016
Irit Rogoff, Practicing
Research: Singularising Knowledge, maHKUzine 9, Journal Of Artistic
Research Summer 2010, page 37
No comments:
Post a Comment